Ricordate Giulietta degli Spiriti? 
Un meraviglioso progetto cinematografico di Federico Fellini che nasce dal suo racconto ‘Giulietta’ pubblicato dall’ editore svizzero Diogenes, per poi diventare il film Giulietta degli Spiriti, timori e sentimenti di una moglie tradita e raccontati attraverso una lunga seduta spiritica popolata da maghi e veggenti e senza dubbi uno dei capolavori del Maestro,
Valter Malosti ha voluto portare in scena una versione teatrale del racconto, scritto tutto in soggettiva come un flusso di coscienza della protagonista e liberamente adattatato da Vitaliano Trevisan.
Roberta Caronia è la straordinaria protagonista, una Giulietta che, come una contemporanea Alice nello specchio, vive in una struggente favola psicanalitica, infantile e allo stesso tempo inquietante, attorniata da inquietanti personaggi come lo spirito Olaf e l’erotico incontro con Casanova attorniata dalle suggestive ( ma purtroppo immobili) marionette di Gianni Busso e inchiodata nel centro di una pista di un circo, lmondo caro a Fellini e da sempre fonte di ispirazione. 
” Questa ebbrezza, questa emozione, questa esaltazione, questo immediato sentirmi a casa mia, io l’ho provato subito, la prima volta che sono entrato sotto la tenda di un circo; e non era nemmeno l’ora dello spettacolo” scrive Jacqueline Risset nel suo libro ‘L’incantatore’, ” era la mattina presto e sotto il tendone dorato che respirava appena, come una grande panciona calda, accogliente, non c’era nessuno. Si sentiva un gran silenzio incantato, di lontano la voce di una donna che cantava sbattendo i panni e solo, il nitrito di un cavallo, da qualche parte. Sono rimasto rapito, sospeso, come un astronauta abbandonato sulla luna che ritrova la sua astronave”.
Vorrei citare gli incisivi allestimenti scenografici di Paolo Baroni e le bellissime luci di Francesco Dell’Elba. Patrizia Tirino ha disegnato abiti-tutù che spaziano tra la favola e il sogno, le musiche originali di Giovanni D’aquila e ricostruzione e le rielaborazioni musicali di Fabio Cinicola che ci portano inevitabilmente alle atmosfere di Nino Rota.
Peccato che il lungo monologo (più di un’ora) non sia stato rvvivato da qualche ‘effetto speciale’ che ci riportasse alle scene o perlomeno alle atmosfere del film. Anche la grande gonna-tenda di Giulietta si prestava a essere una tela su cui potevano apparire immagini suggestive, peresempio il rogo della santa, o un mare in tempesta, oltre alla sfilata in biano e nero delle marionette-soldatini .
In scena 14, 15 luglio 2020
Informazioni e biglietti
www.teatrofrancoparenti.it
Patrocinato da FELLINI 100 – Celebrazioni per il Centenario della nascita di Federico Fellini
A wonderful cinematographic project by Federico Fellini inspired byf his short story ‘Giulietta’ published by the Swiss publisher Diogenes, to then become the film Giulietta degli Spiriti, a long spirit session populated by magicians and visionaries and without doubt one of the Maestro’s masterpieces,
Valter Malosti wanted to stage a theatrical version of the story, written all in subjective as a flow of consciousness of the protagonist and freely adapted by Vitaliano Trevisan.
Roberta Caronia is the extraordinary protagonist, a Juliet who, like a contemporary Alice in the mirror, lives in a poignant psychoanalytic fairy tale, childish and at the same time disturbing, surrounded by disturbing characters, such as the suggestive puppets of Gianni Busso and nailed in the center of a track of a circus, The circus, a world dear to Fellini and always a source of inspiration.
“This intoxication, this emotion, this exaltation, this immediate feeling at home, I felt it immediately, the first time I entered the tent of a circus; and it wasn’t even the time for the show” writes Jacqueline Risset in his book ‘The Enchanter’, “it was early in the morning and under the golden awning that barely breathed, like a large warm, welcoming panciona, there was no one. There was a great enchanted silence, from afar the voice of a a woman who sang the clothes and alone, the neigh of a horse, somewhere. I was kidnapped, suspended, like an astronaut abandoned on the moon who finds his spaceship “.
I would like to mention the incisive scenographic productions of Paolo Baroni and the beautiful lights by Francesco Dell’Elba. Patrizia Tirino has designed tutu dresses ranging from the fairy tale and the dream, the original music by Giovanni D’aquila and reconstruction and the musical reworkings by Fabio Cinicola that inevitably lead us to and atmospheres of Nino Rota. On stage 14, 15 July 2020INFO
www.teatrofrancoparenti.it
Sponsored by FELLINI 100 – Celebrazioni per il Centenario della nascita di Federico Fellini
CESARE ZUCCA Travel, Food & Lifestyle.
Milanese by birth, she lives between New York, Milan and the rest of the world. Cesare likes to photograph and narrate cities, cultures, lifestyles, excited to discover traditional and innovative gastronomic delights, meet and interview top chefs from all over the world, ‘steal’ their recipes and tell everything her, in his ‘non-touristy‘ style blog
L’incanto è continuato a tavola. Dai primi bocconi mente e palato hanno preso il volo…e ho sentenziato: “Tutto questo merita una stella Michelin, quasi quasi aspetto a scrivere il mio pezzo…”
cotto dolcemente in olio al limone, risone Di Nola, chorizo e piquillos, zabaione di pesce allo zafferano, alle 
A queste punte sensoriali si aggiunge la sensazione di freschezza frutto dello iodio e la sapidità dell’ostrica raccolta nei ravioli di daikon che impreziosiscono e completano la ricetta, l’aglio nero con i suoi sentori di liquirizia e le proprietà antiossidanti regala un quid di benessere e una nota aspra e dolce all’assaggio.
INFO
CESARE ZUCCA
La musica? Beh, credeteci o no, è proprio lo Chef che, nei momenti liberi, diventa DJ e suona musica rock, rigorosamente in vinile… Uno che ama il contatto con il cliente, esce spesso dalla cucina, intratteresi con il cliente, sentirne i gusti e definire insieme le ordinazioni.
IINFO
The troupe founded by choreographer Philippe Lafeuille is known for self-irony and the art of mocking but also for the seriousness with which he carries on his belief: the love of dance above all things.
Tango originated in Argentina in the late 1800s, invented by the creativity of the first immigrants, especially Italian and French, who sought an escape from hard daily life, to take refuge in music and dance. A new music, almost a fusion of European, American and black rhythms and sounds, but above all a new, bold and transgressive dance.
Tango Fatal is an international tango company directed by Guillermo Berzins, a world-famous Argentine dancer and choreographer, who will involve us in the show Tango y Amor, together with his sensual dancer with great technical and interpretative ability of Marijana Tanasković.
On Jan 15th The Jimi Hendrix Revolution (Andrea Cervetto’s voice and guitar, accompanied by Alex Polifrone’s drums and Fausto Ciapica’s bass), will tribute Hendrix playing songs like Foxey Lady, Purple Haze and Hey Joe.
Other engagements include the Chamber Music Society of Trieste, as well as appearances in many US cities including Cincinnati, Baltimore, El Paso, and internationally in Milan, Lucca, Lugano (Switzerland), Dubai (UAE), Mexico City, Paunat (France) and tours of China, Taiwan and Japan. Violinist Brad Repp has appeared as violin soloist with José Carreras. He performs on a 1736 Testore violin. Aldo Gentileschi performs on whatever piano he can find.After having sold out in Tokyo, Salzburg, Mexico City and Washington,
CONdivertimentoCERTO finally returns to Milan to open the Harmonies and Sounds of the Spazio Teatro No’hma exhibition. 
CESARE ZUCCA
Do you remember Federico? fA rich proposal that wants to celebrate not only the director but also the man who talks about himself without masks. To this end, the festival offers its most famous and exclusive documentaries in which Fellini tells about himself and his poetics, capable of revolutionizing Italian cinema and making it famous internationally.
It will be a show beyond every boundary and barrier, a kind of a ” theater outside the theater” that it will create an
The theatrical company 
The courts are celebrating the feast of Sant Ambrogio. Teresa with the help of friends and nuns, is preparing a festive re-act of the Passion, featuring Mabilia in the roule of the Virgin Mary “Just call her Mary, forget the Virgin” suggests Teresa.During the 
This company brings to the stage the stories, customs and traditions of Lombardy but is widely appreciated outside Lombardy, thanks to the modernization of the original texts , the usage of more of an Italian text and the choice of universal themes such as the family, the economic crisis, the neighborly relations and of course their love-hate relationship.Finally, Mabilia offers some great musical numbers, first with a tribute to the iconic italian musical diva Wanda Osiris, then as a flamboyant Cuban singer sourrended by colorfull young dancers, while in the grand finale: all actors show up as “men” in ” elegant tuxedos.
Year 2020
Followed by a long tour in many Italian cities
CESARE ZUCCA
BY CESARE ZUCCA
On the stage they put into play all their ability to have fun and have fun, but the result is unexpected. The rough Ale is a moving Juliet, as tender and naive as you’d expect from a young girl while the handsome Romeo, Franz is impetuous as expected from his character as a young lover.
I have the feeling that most of the audience. as fans of the comic duo, got pretty disappointed to see their fav comedians acting like Shakespearean actors or at least Shakespeare amateurs. The laughs were few and anxiously expected.
Lou Andreas-Salomé is such a relevant figure in the world of philosophy and feminism. Finally her life life is brought to the screen in this German film directed by Cordula Kablitz-Post. 
A boldly unconventional woman gets a crushingly conventional biopic with “Lou Andreas-Salomé, The Audacity to Be Free.” Such a heavy-handed title fits the film perfectly, far more than the original English-language handle, “In Love With Lou,” which confusingly made the movie sound like a sitcom. In her feature debut, director and co-writer 
The movie will be released in Italy on Sept 26th , 2019
After CAROSELLO…kids go to bed ! 
Lights costumes and sets were carefully curated by the best In the showbiz. The exhibition is really a hoot both for those who remember the show and for the younger ones who have never seen it, and who can thus enjoy the taste and the trends of the 60s and 70s and maybe compare those spots with the more frenetic today tv rythm euroticly assemblyied, super fastly edited. 
In addition to the videos, there is a rich collection of memorabia as objects, dolls, inflatables, plastic objects, postcards of the protagonists of the carousels including Carmencita, Susanna tutta Panna, Mucca Carolina and Calimero.and then again posters are original brackets, even the iconic drink Rabarbaro Zucca that, believe it or not, my great great father invented! 
Situato proprio di fronte all’antica torre dell’orologio del Municipio, da cui deriva il suo nome e che l’hotel 
On 28 August, 5 and 11 September 2019 at the MIC – Interactive Cinema Museum of Milan, Fondazione Cineteca Italiana presents LET’S DANCE, three special appointments with CineBalli on the MIC terrace to dance non-stop with live entertainment!
The refined and elegant space was set up with the aim of giving maximum visibility to Bottega Gold, the Prosecco Doc with its unmistakable bottle with golden livery, which has become in the world the incomparable standard-bearer and the reference point of the Treviso winery. The lounge bar card features, along with a selection of Bottega wines, also the Lemon Spritz cocktail that combines Prosecco and Limoncino, in the sign of Made in Italy and the contamination between Veneto and Sicily. Ginza, synonymous with sober elegance, is an area rich in history that dates back to the Edo period (1603-1867),
The company is based in Bibano di Godega (TV), 50 km north of Venice, and has two other production facilities in Valpolicella and Montalcino.
The range Today, along the main street there are many of the most well-known department stores in Tokyo that, along with high quality products, offer customers an equally appreciated service. Ginza is a kind of
cultural laboratory of the whole of Japan, which continues to renew itself by transmitting in symbiotic connection with the evolution of deeds, the enthusiasm and ageless charm of Tokyo.
Bottega S.p.A.Bottega S.p.A. it is at the same time a cellar and a distillery, which has a close-knit team of wine experts both in vinification and distillation. of products includes Prosecco and other well-known sparkling wines, the great red wines of Veneto and Tuscany, including Amarone and Brunello di Montalcino, the prized single-variety grappas, the distillates aged in barrique, the fruit-based liqueurs and cream. 
Founded in 1977 by Aldo Bottega, who had inherited from his grandfather the passion for the wine world, Bottega is a solid reality, which distributes its products in over 140 countries and is present in the most prestigious airport duty free shops in the world.
First time I saw Blue Man Group was back in the 80′ in a Small theatre in Lafayette Street in New York.
Finally the 3 blue guys will be performing in Italy !
A typical Blue Man Group show starts with a Blue Man hanging out in the theater lobby as audiences arrive. He is completely bald, completely blue and dressed in black. Ask for an autograph and he will rub his hand across a program to create a blue smudge.
Try to take a picture and he will look at cell phones and cameras with curious wonder. In the theater, the show begins with clanging and flashing lights. The Blue Men create bizarre instruments with their signature plastic tubing. 
They drum amongst themselves and possibly with a band or other backing music. They throw marshmallows into each other’s mouths with alarming accuracy and in logic-defying numbers. A classic Blue Man bit brings an audience member to the stage for an elegant Twinkie dinner with the Blue Men, culminating in hilarious disaster.
At the end of the show, the audience participates in an elaborate toilet paper-throwing ritual. 
All the while, the innocent and childlike Blue Men never break character.
Take note that the first five rows are the “poncho section” — prime placement for those eager to get in on the action and possibly an errant splash of blue paint, too.
1987, known worldwide for its various stage productions which typically incorporate many different categories of music and art, both popular and obscure, in their performances.
Blue Man Group has had multiple national and global tours, appeared on various TV programs as both characters and performers, appeared on the Norwegian Cruise Line ship Epic, released multiple studio albums, contributed to a number of 
UN SUGGERIMENTO AL PUBBLICO ITALIANO ….
The story follows the highly famous and incredibly successful pianist, Don Shirley (Mahershala Ali), who takes great risks as an African American man touring through the highly racial deep south. Tony Lip (a spectacular Viggo Mortensen) a bouncer from an Italian-American neighborhood in the Bronx, who is hired to drive the musician on a concert tour from Manhattan to the Deep South. 
They must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. As the tour progresses, the audience goes through many parts of the south where not only racism was prevalent against African Americans and Italians, but also acknowledge the severe homophobia that existed so terribly in the 1960s. A real story that shows the journey of Tony and Don. Confronted with racism, danger-as well as unexpected humanity and humor-they are forced to set aside differences to survive and thrive on the journey of a lifetime. One white and one black met at the apartheid society. At the beginning, they didn’t understand each other and came up a lot of conflict. After a period of time, they started to help each other and Tony always stood up for Don .They turned to be friend or even more than that. I loved the direction, the cinematography , the music, the editing and the excellent performances,.
(traduzione)
nontouristytourist.com 