With an impressive all-Italian cast on the inaugural night of July 25th and great international stars for the month of August, with gala events and symphony concerts, the 2020 Summer Festival at the Arena di Verona is ready to start with its new format with an in-the-round (central) stage and reduced seating capacity, but stimulated by the desire to support the revival of the local area, under the banner of quality and the age-old tradition that have made it world-famous.
It is thanks to this spirit of safeguarding artistic quality that the sponsors, starting with major partner Unicredit, have confirmed their commitment, making this edition feasible, in spite of the serious penalization of ticket sales.
Following months of continuous commitment to avoid the Arena being silent in this difficult year for the cultural sector, the Arena season is finally starting again with a new stage set-up that makes this edition truly historic and unrepeatable.
On 25th July the 2020 Summer Festival “In the heart of the Music” begins with a great tribute to Italian art and artists: Francesco Meli, Saimir Pirgu, Fabio Sartori, Roberto Aronica, Fabio Armiliato, Barbara Frittoli, Eleonora Buratto, Luca Salsi, Leo Nucci, Daniela Barcellona, Michele Pertusi, and Katia Ricciarelli for a total of 31 all-Italian artists. The inaugural evening is set to be a tribute to the wounded country of Italy, its great bel canto tradition, the quality of its great school, whose solidity was put to the test by the challenges imposed by the pandemic. Fondazione Arena di Verona therefore wants to give a very strong message of hope by means of art, with a moral and aesthetic initiative, which just had to originate in the world’s largest open-air theatre.
OPERA WILL LOVE YOU!
on August 13th, a unique event is scheduled at the Arena: Antonio Vivaldi’s Four Seasons with the eagerly awaited return of young Veneto violinist Giovanni Andrea Zanon along with the Arena Orchestra’s strings.
Then on 21st August, Puccini’s Gianni Schicchi will be staged in semi-scenic form, an opera never staged at the Arena, with Leo Nucci in the leading role. Then no less than two appointments with icon Plácido Domingo, a milestone in the Arena program, firstly with a show on August 28th in which he will be the undisputed star performer alongside the beautiful Spanish voice of Saioa Hernández supported by Saimir Pirgu, then on the conclusive night of 29th August, with the international diva Sonya Yoncheva and Italian tenor Vittorio Grigolo.Then, on 31st July an absolute “first” follows, with Mozart’s Requiem conducted by Marco Armiliato with Vittoria Yeo, Sonia Ganassi, Saimir Pirgu and Alex Esposito, in an ideal bow to the numerous victims of the pandemic and their families.
On Saturday 1st August, Anna Netrebko, Yusif Eyvazov, Ekaterina Gubanova and Ambrogio Maestri will be on the Arena’s huge central stage in what will be a true celebration of re-birth in the name of art, returning to breath that international creative inspiration that has always made the Arena a goal for fans from all over the world.
On Friday 7th August on the other hand things starts to look ahead, to the star-studded 2021 edition, with a unique all-Wagnerian gala with a view to the debut of Jonas Kaufmann and his promise to partially bring back the great Leipzig composer to the Arena stage, a truly historic rarity.
For the Verdi and Puccini galas, on August 8th and 22nd August, Daniel Oren and Andrea Battistoni will make a welcome return to the podium and singers will include the great tenor Marcelo Alvarez. Between these prestigious nights, on 14th August, the programme includes an important gala dedicated to Rossini – a real innovative feature – whose protagonist will be soprano Lisette Oropesa, an esteemed singer of Rossini repertoire, young South African tenor Levy Sekgapane, baritones Alessandro Corbelli and Marco Filippo Romano and bass Roberto Tagliavini, with Jader Bignamini on the podium.
O P E R A !
ROSSINI GALA
Il barbiere di Siviglia, La cenerentola and Guglielmo Tell. Rossini Anthology
LE STELLE DELL’OPERA
Gubanova, Netrebko, Eyvazov and Maestri for the Arena
VERDI GALA
From Nabucco to Rigoletto; from Don Carlo to Un ballo in Maschera
PUCCINI GALA
Poignant love in Bohéme, Madama Butterfly, Manon Lescaut and Tosca
PROGRAM
ll cuore italiano della Musica
Saturday 25th July

Friday 31st July
Saturday 1st August
Friday 7th August
Saturday 8th August
Thursday 13th August
Friday 14th August
Friday 21st August
Saturday 22nd August
Friday 28th August
Saturday 29th August
Tickets vary in price from 34 to 199 euros.
To purchase tickets click here

CESARE ZUCCA
Travel, food, wine & lifestyle.
Milanese by birth, lives between NY, Milan and the rest of the world. Cesare photographs and narrates cities, cultures, lifestyles, top chefs, and discovers traditional and innovative gastronomic delights to tell you everything here, in his ‘non-touristy style.

Ricordate Giulietta degli Spiriti?
Un meraviglioso progetto cinematografico di Federico Fellini che nasce dal suo racconto ‘Giulietta’ pubblicato dall’ editore svizzero Diogenes, per poi diventare il film Giulietta degli Spiriti, timori e sentimenti di una moglie tradita e raccontati attraverso una lunga seduta spiritica popolata da maghi e veggenti e senza dubbi uno dei capolavori del Maestro,
Vorrei citare gli incisivi allestimenti scenografici di Paolo Baroni e le bellissime luci di Francesco Dell’Elba. Patrizia Tirino ha disegnato abiti-tutù che spaziano tra la favola e il sogno, le musiche originali di Giovanni D’aquila e ricostruzione e le rielaborazioni musicali di Fabio Cinicola che ci portano inevitabilmente alle atmosfere di Nino Rota.
In scena 14, 15 luglio 2020
CESARE ZUCCA 





L’incanto è continuato a tavola. Dai primi bocconi mente e palato hanno preso il volo…e ho sentenziato: “Tutto questo merita una stella Michelin, quasi quasi aspetto a scrivere il mio pezzo…”
cotto dolcemente in olio al limone, risone Di Nola, chorizo e piquillos, zabaione di pesce allo zafferano, alle 





A queste punte sensoriali si aggiunge la sensazione di freschezza frutto dello iodio e la sapidità dell’ostrica raccolta nei ravioli di daikon che impreziosiscono e completano la ricetta, l’aglio nero con i suoi sentori di liquirizia e le proprietà antiossidanti regala un quid di benessere e una nota aspra e dolce all’assaggio.

INFO
CESARE ZUCCA






La musica? Beh, credeteci o no, è proprio lo Chef che, nei momenti liberi, diventa DJ e suona musica rock, rigorosamente in vinile… Uno che ama il contatto con il cliente, esce spesso dalla cucina, intratteresi con il cliente, sentirne i gusti e definire insieme le ordinazioni.

IINFO
The troupe founded by choreographer Philippe Lafeuille is known for self-irony and the art of mocking but also for the seriousness with which he carries on his belief: the love of dance above all things.






Tango originated in Argentina in the late 1800s, invented by the creativity of the first immigrants, especially Italian and French, who sought an escape from hard daily life, to take refuge in music and dance. A new music, almost a fusion of European, American and black rhythms and sounds, but above all a new, bold and transgressive dance.
Tango Fatal is an international tango company directed by Guillermo Berzins, a world-famous Argentine dancer and choreographer, who will involve us in the show Tango y Amor, together with his sensual dancer with great technical and interpretative ability of Marijana Tanasković.




On Jan 15th The Jimi Hendrix Revolution (Andrea Cervetto’s voice and guitar, accompanied by Alex Polifrone’s drums and Fausto Ciapica’s bass), will tribute Hendrix playing songs like Foxey Lady, Purple Haze and Hey Joe.

Other engagements include the Chamber Music Society of Trieste, as well as appearances in many US cities including Cincinnati, Baltimore, El Paso, and internationally in Milan, Lucca, Lugano (Switzerland), Dubai (UAE), Mexico City, Paunat (France) and tours of China, Taiwan and Japan. Violinist Brad Repp has appeared as violin soloist with José Carreras. He performs on a 1736 Testore violin. Aldo Gentileschi performs on whatever piano he can find.After having sold out in Tokyo, Salzburg, Mexico City and Washington,
CONdivertimentoCERTO finally returns to Milan to open the Harmonies and Sounds of the Spazio Teatro No’hma exhibition. 
CESARE ZUCCA
Do you remember Federico? fA rich proposal that wants to celebrate not only the director but also the man who talks about himself without masks. To this end, the festival offers its most famous and exclusive documentaries in which Fellini tells about himself and his poetics, capable of revolutionizing Italian cinema and making it famous internationally.










It will be a show beyond every boundary and barrier, a kind of a ” theater outside the theater” that it will create an


The theatrical company 
The courts are celebrating the feast of Sant Ambrogio. Teresa with the help of friends and nuns, is preparing a festive re-act of the Passion, featuring Mabilia in the roule of the Virgin Mary “Just call her Mary, forget the Virgin” suggests Teresa.During the
This company brings to the stage the stories, customs and traditions of Lombardy but is widely appreciated outside Lombardy, thanks to the modernization of the original texts , the usage of more of an Italian text and the choice of universal themes such as the family, the economic crisis, the neighborly relations and of course their love-hate relationship.Finally, Mabilia offers some great musical numbers, first with a tribute to the iconic italian musical diva Wanda Osiris, then as a flamboyant Cuban singer sourrended by colorfull young dancers, while in the grand finale: all actors show up as “men” in ” elegant tuxedos.
Year 2020
Followed by a long tour in many Italian cities
CESARE ZUCCA
BY CESARE ZUCCA


On the stage they put into play all their ability to have fun and have fun, but the result is unexpected. The rough Ale is a moving Juliet, as tender and naive as you’d expect from a young girl while the handsome Romeo, Franz is impetuous as expected from his character as a young lover.


I have the feeling that most of the audience. as fans of the comic duo, got pretty disappointed to see their fav comedians acting like Shakespearean actors or at least Shakespeare amateurs. The laughs were few and anxiously expected.
Lou Andreas-Salomé is such a relevant figure in the world of philosophy and feminism. Finally her life life is brought to the screen in this German film directed by Cordula Kablitz-Post.
A boldly unconventional woman gets a crushingly conventional biopic with “Lou Andreas-Salomé, The Audacity to Be Free.” Such a heavy-handed title fits the film perfectly, far more than the original English-language handle, “In Love With Lou,” which confusingly made the movie sound like a sitcom. In her feature debut, director and co-writer
The movie will be released in Italy on Sept 26th , 2019
After CAROSELLO…kids go to bed ! 
Lights costumes and sets were carefully curated by the best In the showbiz. The exhibition is really a hoot both for those who remember the show and for the younger ones who have never seen it, and who can thus enjoy the taste and the trends of the 60s and 70s and maybe compare those spots with the more frenetic today tv rythm euroticly assemblyied, super fastly edited.
In addition to the videos, there is a rich collection of memorabia as objects, dolls, inflatables, plastic objects, postcards of the protagonists of the carousels including Carmencita, Susanna tutta Panna, Mucca Carolina and Calimero.and then again posters are original brackets, even the iconic drink Rabarbaro Zucca that, believe it or not, my great great father invented! 

Situato proprio di fronte all’antica torre dell’orologio del Municipio, da cui deriva il suo nome e che l’hotel 



On 28 August, 5 and 11 September 2019 at the MIC – Interactive Cinema Museum of Milan, Fondazione Cineteca Italiana presents LET’S DANCE, three special appointments with CineBalli on the MIC terrace to dance non-stop with live entertainment!

The refined and elegant space was set up with the aim of giving maximum visibility to Bottega Gold, the Prosecco Doc with its unmistakable bottle with golden livery, which has become in the world the incomparable standard-bearer and the reference point of the Treviso winery. The lounge bar card features, along with a selection of Bottega wines, also the Lemon Spritz cocktail that combines Prosecco and Limoncino, in the sign of Made in Italy and the contamination between Veneto and Sicily. Ginza, synonymous with sober elegance, is an area rich in history that dates back to the Edo period (1603-1867),
The company is based in Bibano di Godega (TV), 50 km north of Venice, and has two other production facilities in Valpolicella and Montalcino.
cultural laboratory of the whole of Japan, which continues to renew itself by transmitting in symbiotic connection with the evolution of deeds, the enthusiasm and ageless charm of Tokyo.
Bottega S.p.A.Bottega S.p.A. it is at the same time a cellar and a distillery, which has a close-knit team of wine experts both in vinification and distillation. of products includes Prosecco and other well-known sparkling wines, the great red wines of Veneto and Tuscany, including Amarone and Brunello di Montalcino, the prized single-variety grappas, the distillates aged in barrique, the fruit-based liqueurs and cream.
Founded in 1977 by Aldo Bottega, who had inherited from his grandfather the passion for the wine world, Bottega is a solid reality, which distributes its products in over 140 countries and is present in the most prestigious airport duty free shops in the world.




First time I saw Blue Man Group was back in the 80′ in a Small theatre in Lafayette Street in New York.
Finally the 3 blue guys will be performing in Italy !
A typical Blue Man Group show starts with a Blue Man hanging out in the theater lobby as audiences arrive. He is completely bald, completely blue and dressed in black. Ask for an autograph and he will rub his hand across a program to create a blue smudge.
Try to take a picture and he will look at cell phones and cameras with curious wonder. In the theater, the show begins with clanging and flashing lights. The Blue Men create bizarre instruments with their signature plastic tubing.
They drum amongst themselves and possibly with a band or other backing music. They throw marshmallows into each other’s mouths with alarming accuracy and in logic-defying numbers. A classic Blue Man bit brings an audience member to the stage for an elegant Twinkie dinner with the Blue Men, culminating in hilarious disaster.
At the end of the show, the audience participates in an elaborate toilet paper-throwing ritual.
All the while, the innocent and childlike Blue Men never break character.
Take note that the first five rows are the “poncho section” — prime placement for those eager to get in on the action and possibly an errant splash of blue paint, too.
1987, known worldwide for its various stage productions which typically incorporate many different categories of music and art, both popular and obscure, in their performances.
Blue Man Group has had multiple national and global tours, appeared on various TV programs as both characters and performers, appeared on the Norwegian Cruise Line ship Epic, released multiple studio albums, contributed to a number of
UN SUGGERIMENTO AL PUBBLICO ITALIANO ….