I saw Voca’s show a while ago at Off-Broadway New World Stages in New York.
It was amazingI I looooved it! 
The group will be performing one night only at the former railway station of Porta Romana, owned by FS Sistemi Urbani (Ferrovie dello Stato Italiane Group), an unusual venue that will become the stage where Voca People, an internationally renowned Israeli company, will perform on a very special night December 19th. 2019
Voca are eight aliens from the planet Voca, where they communicate through music and vocal expressions. Using only a cappella singing and beat box (which consists of playing percussion as drums and cymbals through the voice)No instruments, no sound effects, 
It will be a show beyond every boundary and barrier, a kind of a ” theater outside the theater” that it will create an intergalactic musical explosion from the planet Voca, located somewhere behind the sun. Using no instruments, only vocals, they create an alien, innovative sound that’s music to your ears.
What a repertoire! Hits from the ’70s to Mozart to Michael Jackson to ABBA…and those ‘greatest hits’ from any kinda of music, or armonia as the aliens would say….spanning from Opera, to Bee Gess, to Disco music, to Queen, to classical to the greatest movie soundtracks to literally dozen and dozen of popular tunes. 
“‘Il Dono’(The Gift ), says Teatro No’hma’s President Livia Pomodoro, is a special initiative that aims to different theatrical experiences with the public as a journey from the stage to the beating heart of the city, this year our ‘dono’ will be the amazingly talented Voca People. 
INFO
Teatro No’hma
At Porta Romana Railway Station
Giovanni Lorenzini 3/A, 20139, Milano MI
Free entrance , reservation a must.
By phone 39-0245485085/0226688369
Online www.nohma.org
CESARE ZUCCA
Born in Milan, he lives in New York, Milan and the rest of the world.
Cesare likes to travel up and down America as well as spending time in Italy and Europe.
For NTT, he photographs and tells about cities, cultures, lifestyles and discovers both traditional and innovative gastronomic delights, among interviewing top chefs from all over the world, “stealing” their recipes and write everything here, in a perfect ‘ non touristy tourist’ style..
The theatrical company 
The courts are celebrating the feast of Sant Ambrogio. Teresa with the help of friends and nuns, is preparing a festive re-act of the Passion, featuring Mabilia in the roule of the Virgin Mary “Just call her Mary, forget the Virgin” suggests Teresa.During the 
This company brings to the stage the stories, customs and traditions of Lombardy but is widely appreciated outside Lombardy, thanks to the modernization of the original texts , the usage of more of an Italian text and the choice of universal themes such as the family, the economic crisis, the neighborly relations and of course their love-hate relationship.Finally, Mabilia offers some great musical numbers, first with a tribute to the iconic italian musical diva Wanda Osiris, then as a flamboyant Cuban singer sourrended by colorfull young dancers, while in the grand finale: all actors show up as “men” in ” elegant tuxedos.
Year 2020
Followed by a long tour in many Italian cities
CESARE ZUCCA
BY CESARE ZUCCA
On the stage they put into play all their ability to have fun and have fun, but the result is unexpected. The rough Ale is a moving Juliet, as tender and naive as you’d expect from a young girl while the handsome Romeo, Franz is impetuous as expected from his character as a young lover.
I have the feeling that most of the audience. as fans of the comic duo, got pretty disappointed to see their fav comedians acting like Shakespearean actors or at least Shakespeare amateurs. The laughs were few and anxiously expected.
TEXT AND PHOTOS BY CESARE ZUCCA
Benevento gained the reputation of a city difficult to conquer: even the Franks and Charlemagne himself had to stop at its borders. In 1077 Henry III ceded the city and the entire area to the Church, which held power until the unification of Italy.
These were women who possessed the knowledge of the occult and magical rites, such as invoices and the evil eye, capable of ruining life. According to tradition, in fact, it was necessary to place an upside-down millet broom or a bag with grains of salt in front of the door, counting which the witch would have lingered until dawn, when the light, her bitter enemy, would have forced her to flee away, leaving the inhabitants of that house or that room in particular in peace.
T
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the slopes are a succession of vineyards, woods and small clearings, which only in the last hours of the day the Monte Taburno profile subtracts light and heat.
The barrel vaults, that dominate the area destined to accommodate the aging of wine, entirely coated in terracotta bricks and partially dug into the tuff, bring us closer to an idea of the cellar to those who were the old “cellai” of rural farms, that is, those places that were intended to keep as much wine as food. 
Here La Fortezza’s grape varieties:
both excellent choice if you are having a local great dish with baccalà (salted codfish) a remarkable specialty of this territory, which I had the pleasure to taste at a typical restaurant Trattoria Nunzia, in Benevento.
from the Royal Palace of Genoa, 
Milan. Its people and visitors are patiently queuing for a show rendered unique not only because it will present to the public works from the leading Italian museums and equally important museums abroad, but also by the fact that Caravaggio’s canvases will be flanked by their respective X-radiographic images 
Forty four years have gone by since Escher’s death, still today his art doesn’t show any sign of dating. He turns geometric research and rigour into the purest visionary aesthetics, combines a range of different languages into a new and intriguing itinerary that represents a one off in the history of art across all ages and continues to thrill the wider public.
A super exhibit of the one of a kind artist who used to say that “Wonder is the salt of the earth”, is greatly hosted by the Palazzo Reale in Milan till January 22th, 2017.
At the 
Here you will find a luxurious display of embroideries, silks, brocades, and lampasses from 1600, when new nations were discovered and new costumes images and stories were imported to Europe.Porcelains, paintings of landscapes, and the new profession of the fabric painter starting from the vagary of remembering antique historical ruins to portraits either official or private.France launched and updated this elaborate fashion, stating different styles, from bizarre to dentelle, to the beautiful drawings of Jean Revel, a major figure in Lyonnaise silk from the 18th century and a pioneer of the French style, who carried his innovative style beyond the courts of Versailles and Paris.
Today the Gori winery produces between 60 and 70 thousand bottles, with a yield of 50 quintals per hectare, a precise choice that favors quality and makes the product iconic. Maximum care and attention are in fact dedicated to all the processing phases, such as the harvest, which is carried out manually in 20kg crates and the selection of the grapes, carried out with soft destemming on the sorting table.
A good and healthy wine, which is born in harmony and with respect for the environment. If from the beginning the company has never used herbicides and has only carried out treatments based on copper and sulfur, 2019 will be a special year, that of achieving a great objective pursued consistently, the first certified organic harvest. 
The result of so much effort combined with an extraordinary competence is the excellent range of Gori wines: Nemas I, elegant and complex Pinot Nero; the Friulanissimo Refosco dal Peduncolo Rosso that gives its best on these hills, the blend of Schioppetino, Refosco and Merlot dedicated to the father of Giampiero Gori; a Merlot, the most produced and consumed wine in Friuli; wide and the Schioppettino.
Sauvignon, also in this case an international grape variety which, thanks to the frequent daily temperature changes and to the fresh and dry soil, enhances its characteristics.
The stainless steel containers and on the lower floor, excavated inside the hill, the wooden barrels are optimal and help red wines in their ripening phase, respecting their typicality and taste. Furthermore the use of refrigeration allows to obtain long and not tumultuous fermentations: in this way the wine retains the aromas and the aromas that the grape has obtained during the maturation, making the use of chemical products superfluous.
INFO
CESARE 
Hello non-touristy-tourists friends!
The trademark “Là di Moret” is a real guarantee – also confirmed by the prestigious awards obtained over the years, first of all the numerous Best of Alpe Adria Awards – which it is renewed daily not only in the kitchen of “Il Fogolar” but also means welcoming 360 ° to involve gourmets and all guests, all travelers who want to be pampered by the comfort of 
the 86 rooms and take advantage of the high international standards of services the hotel – at the forefront those dedicated to women and noteworthy for the excellence and flexibility those dedicated to business customers and the world of MICE – and to experience the beauty and wellness paths of the Blu Moret SPA.
The sadness of the devastation of his land – thousands of hectares of destroyed forests, on the ground over a million cubic meters of timber – has also touched this chef who has been leading for years what can be defined as the symbol of history, culture and values of tradition and hospitality of Friuli Venezia Giulia. But it is precisely the strong and poignant link to its territory, which meant that Stefano Basello was immediately activated to preserve, and in a certain sense revive, the beauty of these places and the essence of the trees exterminated by the fury of rain and wind .
After all, the flours obtained from internal bark of trees or roots were produced once, when the farmers used them to feed themselves as they were very nutritious and rich from an organoleptic point of view (which is why they are also called “subsistence”) .For this bread, characterized by a very good and very special aroma, it is also used mother yeast, with the addition of 20% of white or red firs, or lichens.
In 1795, Mastro Tommasso di Filippo Muzzi opened small pastry shop in the heart of Foligno, a town in central Umbria. Today, Muzzi continues to make the highest quality Italian pastries, cookies, and cakes. 
panettone and pandoro, coated and stuffed specialties that will find narrative opportunities and sumptuous exposure. Connoisseurs can, in a guided way, taste the products and understand the substantial characteristics and differences with respect to any other dessert. Emphasis therefore on the mother of natural yeast, sensory analysis, occasions and ways of consumption, to establish a path of knowledge and culture with the consumer.
INFO
After the discovery of Abruzzi thanks to the guidance of local pasta maker extraordinaire Rustichella, I collected my thoughts about their business model relying largely on export. Why would this company deeply rooted in this region of Italy have both the desire and the possibility to reach the four corners of the world? Wasn’t there a form of contradiction here between local and global?
This happened to be around Oct 25th which is celebrated as pasta day around the world which put things in context, as pasta appears as an icon of Italiy and, at the same time, an international product, almost universal. Looking at things from a historical perspective, this is not that shocking or contradictory.
Pasta is, by definition, a product made to travel. By “pasta”, I am referring to dry pasta made of durum wheat semolina, not fresh pasta made from tender wheat flour with the adjunction of eggs most of the time. Italy is the birthplace of pasta as a commercial commodity capable of withstanding long periods of time, being a dry product that can last for years. The first mention of commercial dry pasta making dates to the 12th century (way before the birth of Marco Polo you may note!) with a text from an Arab geographer referring to a large production of it in the vicinity of today’s Palermo in Sicily. It is clearly stated that the goods produced were sent by ships to various Christian countries.
Genova was soon to become an important area of dry pasta production as well. Why? Because of the importance of its port and shipping capacities. Think about it: at a time with no refrigeration and slow means of transportation, how far could food really travel? Pasta, well protected from humidity, rapidly grew in popularity and started traveling the world, just like salt cod did! Fast forward: today, how can a medium-size company like Rustichella manage to have their products fly over continents to reach the kitchens of chefs and gourmet home cooks as far away as Japan and Brazil? 
How can they compete with industrial giants such as Barilla which benefit from massive marketing, advertising and financial power? The answer is both material and immaterial qualities, just like soul and body. How can that be in the case of pasta which is basically made of 2 ingredients, durum wheat and water, the latter being at the end eliminated for the most part by the way. How can such a basic and simple food product have a soul and how can it vary so much in quality? Food products are not only a collection of molecules. They carry with them emotion and identity. Think of Proust and his lengthy internal voyage through the remembrance of his past, just by biting into this piece of madeleine cake ducked in a cup of tea. Rustichella does everything to delivery emotions. 
Opening a package of their product is an invitation to a journey to Abruzzi without having to take a plane. Of course, having been there is a prerequisite to experience this motionless journey. People should really come and taste all that Abruzzi has to offer in order to tie emotional knots in their memory and feel something when they open a package of pasta coming from there. Who knows where Barilla pasta is produced? And more importantly, who cares? The giant company which headquarters are in Parma translate nothing of the soul of this beautiful city of Emilia Romagna.
Besides this immaterial quality that Rustichella instils at the heart of its products, there is a good deal of very concrete and technological elements that make them stand out as a pasta like no other. In short, the product is not a mere invitation to dream of Abruzzi. If it carries a soul, it’s because its body is of the best quality to begin with. You wouldn’t have people dream and get off their feet with a food product that wouldn’t be worth their attention in the first place. Now, what are the material qualities that make a pasta exceptional and dream-worthy? 
First, the quality of the ingredients. Well, we do not have to go very far with that: durum wheat and water, that’s it. I had been told that the quality of the water was important, but Gianluigi Peduzzi – co-owner of Rustichella with his sister Stefania – seemed to dismiss that element. Just pure water. The ingredient that really counts is the durum wheat. The siblings being children of famous millers in the region of Vestina knew one thing or two about the ingredient! A great wheat will lend not only great flavor, but great texture. Whether imported or locally sourced, only the best quality is used. An organic line of pasta has also been created recently 
RUSTICHELLA
Why is this better than the Teflon coated molds used in basic quality pasta? Well, the bronze can never be totally smooth and thus the pasta will have a superficial rugosity which will help the sauce cling to the pasta. With plastic coating the extrusion is way faster, but the result is a pasta texturally bland. This represents a big cost for the company: not only does the production is slower, but the dyes need to be replaced more frequently.
The second most important technical element is the drying process. Ordinary pasta is produced in a continuous fully automated way. As soon as the pasta is extruded and cut, it is dried rapidly with the help of heat. Well dried, I should perhaps say baked. Notice that deep yellow color of basic pasta: it’s the sign of a caramelization and pasta shouldn’t be resemble candy making! Here, the pasta is slowly dried in chambers. It is during that drying time that the flavor of the pasta develops.
Artistry is at stake here: the pasta maker will have to consider the humidity in the air to see first how much water to add to the semolina in order to obtain the perfect consistency and then, one has to judge when has to make sure the drying process is done at the right temperature and for the right time. Technique and artistry work hand in hand. As Gianluigi shared all his insights in terms of the technology, his sister Stefania gave us to see how far her artistic involvement went. She not only designed various packaging but created pieces and oversaw the art direction of a temporary exposition dedicated to Rustichella from its origins to its latest creations.
One of those creations is a revolutionary spaghetti name ? that cooks in 90 seconds without sacrificing the quality of the pasta. No precooking here, like those sheets of lasagna that do not need to be precooked in boiling water. It is a technological feat coming from the shape of the pasta itself. 
Here again, a combination of imagination and technology, tradition and modernity.All this explains why chefs at the other end of the world decide to put the price in this high-end product. They have a story to tell, not noodles to sell. They also have a well-made product which won’t let them down in their kitchen. Because the quality of the ingredients and of the process, they know the pasta won’t get limp on them and will remain al dente. They can even pre-cook the pasta halfway and finish the cooking process in the sauce or with a short plunge in boiling water.
INFO
Have you already been to Abruzzo? No? Well time is due to discover this Italian region, due East from Rome, encompassing part of the Apennine mountains down to the Adriatic Sea where sits its capital: Pescara. But that, you may know already if you’ve had the chance to visit this region that locals like to nickname “Tuscany without the marketing”!
Personally, my first Abruzzian experience dates no further than last July, in spite of many trips to Italy, both for pleasure and for research on my book on the history of Italian pasta (Les Pâtes du Terroir Italien. I knew that one of the most typical shapes of pasta in the region was the long threads resembling square spaghetti obtained by pressing down with a rolling pin a sheet of pasta dough against the strings of an instruments called a Chitarra (as it resembles in some way a guitar)
One would want to also associate the region with the famous penne pasta (meaning pens or feathers) since there is a town by that name sitting less than 20 miles from Pescara. This brings me directly to the occasion of my four-day trip invited, by one of the most respected pasta manufacturers of not only Abruzzo, but the whole of Italy: Rustichella, a family owned mid-size company which origins go back to the 19th century in the town of Penne.
The occasion was the annual celebration nicknamed Primograno (literally “first grain”) by the company in honor of the beginning of the wheat harvest in the area. It is the occasion for the family to host a selected number of importers, chefs and some happy few journalists, and here I am! The generosity displayed was beyond this world… yet, absolutely rooted in Abruzzo! arrived the evening of the big celebration where all guests were united under a tent set in the middle of a field name ? to experience a culinary experience not to be forgotten in the breeze of a warm summer night. 
The magic continued after the dinner with a live band under the stars to shake off on the dancefloor those few extra calories of gastronomic indulgence, but also a firework display like no other. A man in costume at a rather close distance started to dance on a traditional music that was going to stick with our group for the rest of the stay covered with a hat shooting thousands of fiery spurs. Besides the food and the fun, I began to wonder how connected to reality was the celebration.
I was soon to discover that for Rustichella this celebration was “for real”, honoring the actual beginning of local wheat harvest that was going to end-up in form of semolina in their factory. With the development of local sourcing of ingredients and the “farm to table” craze, Rustichella, very smartly, developed indeed a line of pasta made only of local wheat. It is not only a marketing move, it’s an ecologically and socially responsible investment.A specific green packaging has been created for this 100% local pasta. Like a “cru” of wine, you could almost know which parcel of wheat was at the source of the handful of spaghetti you are holding in your hand. An approach very far from the industrial standardization at stake with the giant pasta manufacturers, for which uniqueness boils down to their single named brand not the actual pasta you’re about to drop in your pot!
The Rustichella team took Primograno as an occasion to have our happy group experience various highlights of Abruzzi from the inland the beauty of rolling hills where wild horses graze the grass to the coastline where one can breathe the salty breeze of the Adriatic while strolling on the beach or eating a fabulously fresh and piping hot fritto misto. Among Abruzzi’s specialties, I really loved those little grilled meat skewers, traditionally made with lamb.
I was also really impressed with different local wines that I had never heard about before. For the whites, I loved the “passarina” that we got to try, made from the grape of the same name yielding an incredible fresh acidity smoothed by a round fruitiness. In several occasions, we got to have fantastic rosés, notably. No doubt about it, Rustichella had it at heart to have us experience the best of their products, but also their region in general. And you should too. You will only regret to have to go back home…
But I have good news for you. First, if you fly back using the airport of Pescara, you will be able to purchase various gastronomic treats at the airport shop and stock up on Rustichella’s 100% Abruzzian green line of pasta. Unlike liquor, no limit there except the size of your luggage! Bring along a pack of traghetti, you will make your landing easier with a little piece of Abruzzi with you. 
Actually, chances are your trip may be prolonged in your home country, as Rustichella has decided to dedicate most of its production to export. In the following piece I’ll show why and how famous chefs around the world decide to use Rustichella as their primary source of pasta. In the meantime, look around because if you can’t make it to Abruzzi, Rustichella has perhaps already come to you!
INFO
Dove Dormire
Il palazzo offre sei suites, dotate di ogni moderno comfort e arricchite da stucchi, stemmi, pavimenti antichi e tutti i beni artistici rinnovati da un accurato restauro per preservare la loro resistenza e la capacità di trasmettere energia. Scoprirete inaspettati elementi artistici, come pavimenti originali, stemmi ottocenteschi, affreschi che ornano i soffitti, oltre a suggestivi saggi di restauro che trapelano dalle pareti.
Le suites propongono allo stesso tempo una esperienza confortevole, frutto di una ristrutturazione e di un design che mescola elementi artistici a un’ assoluta cura dei dettagli tecnologici di ultima generazione. Ho scelto la Suite Exagon, chiamata così per il soffitto dal disegno esagonale, un ambiente antico e nello stesso tempo contemporaneo. Ho apprezzato i tessuti speciali e biancheria rigorosamente di artigianato italiano.
Qui l’eleganza contemporanea si manifesta attraverso materiali nobili come il legno, i marmi e i metalli satinati si alternano in uno stile che accoglie e custodisce. Il servizio, discreto e attento, è sempre disponibile ad ascoltare le esigenze degli ospiti, nel completo rispetto della loro privacy.
Nel cuore della città ho incontrato la deliziosa Maria Ketty, splendida signora di origini venete e ex fotomodella, che da 14 anni gestisce con passione il suo B&B 
Un meraviglioso soggiorno con quadri d’epoca nel quale Mary serve un’ accurata prima colazione personalizzata a secondo delle esigenze del Cliente (ho gustato una dei miei dolci preferiti, la torta di riso, rigorosamente fatta in casa, una bontà…)
Quindi se cercate disponibilità, calore familiare ed un’attenta cura, nel massimo rispetto della privacy, altrechè preziosi spunti per avventurarsi alla scoperta di 
RAFFAELLO 2020 is not just simple exhibition, but a real multimedia story conceived to offer visitors the possibility of a participatory fruition, that is the experience of being part of a digital work of art, inside a container of intuitive dissemination, accessible to all, 
enjoyable by a transversal audience both for age and for cultural education. The event proposes an innovative format that guides the audience in an emotional and immersive itinerary through the works, projects and personal story of Raphael, creating a path that 
follows the life of the master, starting from the birth in Urbino in 1483 then Città of Castello, Perugia, Florence and Rome until the early death at the Papal Court in Rome in 1520.
A true story that unfolds through a wise mix of images, sounds, music and suggestions at 360 °, aimed at reconstructing and celebrating the universe and celebrating the pictorial and historical of this Renaissance artist whose official celebrations for the 500th anniversary of the death.
“I was stimulated by the idea of being able to contribute to this multimedia story so that the wonder of multimedia could be transformed into knowledge. Whoever visits the exhibition will not only be dazzled by the immersive path but I hope that it will come out 
having also acquired some notions basic on the history, life and work of Raphael to approach the history of art in a simple way. I am convinced that this type of exhibit will have a great future as long as they can make this qualitative leap: being both exciting and instructive ” .
“We are very happy to present, just on the day when the celebrations for the five hundredth anniversary of the death of the great painter of Urbino are opened, in a world preview in Milan, said Federico Dalgas Pandolfini, CEO of Crossmedia , 
It would be like an amazing narration that will bring Raphael’s art and work closer to those
TEXT AND PHOTOS BY CESARE ZUCCA
Organic and bio farming is the basis of its production philosophy and it has confirmed it in the fifth edition of the Night Harvest, the first completely organic, the only initiative of its kind in the lands of the Conegliano Valdobbiadene Prosecco Superiore appellation. On Friday 13 September the Col di Luna vineyards were crowded with “professional” and amateur harvesters, who harvested ripe grapes (healthy grapes at first glance) under the light of the full moon, the last of the summer, and at light of the great white globes and of the powerful lighthouses that lit up the night of Cozzuolo. 
Another highlight of the party was the presentation of the third prize “La Vigna di Sarah BIO for heroic agriculture”, awarded to the Antiche Cantine Migliaccio of Ponza Island managed by Luciana Sabino, who along with her husband Emanuele Vittorio handed down a viticulture whose origin dates back to 1700
And surprise… In addition to the cosy rooms, you can find some unique accommodations: three huge wooden 
On the stage and among the vineyards also the youtuber Canal has arrived, presenting its new video “On the stage and among the vineyards also the A grape harvest begins you”. To crown the party, the “country” dinner on the lawn of the “La Vigna di Sarah” farmhouse, framed by the Prealps. Almost a rural “snack”, as tradition dictates in order to repay the fatigues of the grape harvesters: Ulysses’ salmon trouts, raised in Follina, in the version by chef Elia of the Mainor of Fregona; the rich table of Friulian cheeses from the Latteria di Aviano (PN), presented by Linda Del Ben, including ‘Modesto’ that literally has been sleeping wrapped in straw…
Excellent 5 hours grilled meat by the Alpini group of Soligo; dishes and vegetables from the organic vineyard of Sarah’s Vineyard, cooked by the trattoria Larin da Bepo, the yummy Treviso soppressa with Mauro Pinel’s bread and pumpered by the extra virgin Istrian olive oil Mate produced by Aleksandra Vekic
And in the glasses the two wines of the Antiche Cantine Migliaccio, the Fieno and the Biancolella of Ponza IGP, and the Prosecco Superiore DOCG “La Vigna di Sarah”, for a sparkling goodbye to the Night Harvest 2020.
Sarah Dei Tos, after this commitment, is now projected to the next event that will see it, together with other companies, protagonist of the event “The corporate culture of the lands of the Alpe Adria meets the Milan Wine Week“, the 7-8 -9 October at the Itlas Flagship Store in Milan.
INFO
The 8th edition of the tastiest event created by Luca Gardini and Andrea Grignaffini,
Lou Andreas-Salomé is such a relevant figure in the world of philosophy and feminism. Finally her life life is brought to the screen in this German film directed by Cordula Kablitz-Post. 
A boldly unconventional woman gets a crushingly conventional biopic with “Lou Andreas-Salomé, The Audacity to Be Free.” Such a heavy-handed title fits the film perfectly, far more than the original English-language handle, “In Love With Lou,” which confusingly made the movie sound like a sitcom. In her feature debut, director and co-writer 
The movie will be released in Italy on Sept 26th , 2019
After CAROSELLO…kids go to bed ! 
Lights costumes and sets were carefully curated by the best In the showbiz. The exhibition is really a hoot both for those who remember the show and for the younger ones who have never seen it, and who can thus enjoy the taste and the trends of the 60s and 70s and maybe compare those spots with the more frenetic today tv rythm euroticly assemblyied, super fastly edited. 
In addition to the videos, there is a rich collection of memorabia as objects, dolls, inflatables, plastic objects, postcards of the protagonists of the carousels including Carmencita, Susanna tutta Panna, Mucca Carolina and Calimero.and then again posters are original brackets, even the iconic drink Rabarbaro Zucca that, believe it or not, my great great father invented! 
Head towards
There aren’t many places I’d recommend more highly than 
A welcoming bar to the front and an open kitchen restaurant in the back. It looked loke a nice mixing of Japanese design with Italian flair and some traditional British pub features 
black and white photo portraits give an art gallery feeling, while Japanese artwork and foliage painting decorate walls and ceilings the rooms adorns the walls; furnished with causal wooden tables and filtered by an amber lighting that warms up the rooms.
Then I beg Alessandro to surprise me. And he did. Between his choices, my favorite were the kampachi salad, with thin slivers of tender cobia white fish, drizzled with yuzu truffle and rocket,
a dish that Alessandro likes to pair with galapeno and the prawn tempura maki. From the menu, I would like to mention also some signatures dishes 
as the truffle white tuna tataki, the lobster tail tempura and his ceviche, where Japanese flavours meet South American tradition. 
In addition to a generous choice of sushi, sashimi and nagiri and of course the beef robata dishes that Alessandro loves to cook in person, lighted by the fire grill fireworks .
For more info
Stop by the 
Located in the trendy Seven Dials area, right in the heart of Covent Garden, the venue boasts two bar areas serving seasonally inspired cocktails, cementing Tredwells’ reputation as one of the best drinks venues in Seven Dials. the restaurant sets over three floors, while the mezzanine and lower ground floors are available for exclusive hire.
The menu changes frequently boasting imaginative dishes revealing a good deal of skill and creativity. Add an easy-going welcome from the stuff and the super cool owner–chef, who came at my table to say hello while sipping a delicious 2016 Albarino Igrexario de Salar and snacking some succulent Manzanilla olives.
I followed his suggestions and went for a very traditional tortilla made of eggs and potatoes. Perfectly browned on the outside, still tender within and served at room temperature. I asked if that is the way that tortilla should be served, medium warm not hot. They told me that is a Spanish tradition to cook tortillas in the morning and let them rest till the meal so, yes, the temperature should be room temperature, Good to know. 
Then I tasted a more winterish dish of judion, a butter beans & piparras, followed by a
perfectly roasted octopus with saffron potatoes and wilde samphire. 
If you’re looking for a ‘not so commun’ tapas restaurants in North London, or Spanish food in Stoke Newington then you must try this cool venue.
London. I happily experimented the 
Notably the langoustines were nicely straight, not curvy at all, My very nice Italian born waiter, told me that the secret is simply to put them in the freezer for about 40 minutes.When you take them out, the shell will be solidified, you would easily break it and extract the langoustine in all its fullness and horizontality. As a main dish, I followed Guido’s suggestion and opted for a John Dory fish, served with lobster, celery puré, oil and herb sauce with little white beans.
As a side dish, a kale salad, sprinkled with a powder of beets and pumpkin seeds and seasoned with a Caesar dressing.
Delicious finale: English strawberry and basil mousse.
Finally ….. here the best list of the two M I am crazy about …
Situato proprio di fronte all’antica torre dell’orologio del Municipio, da cui deriva il suo nome e che l’hotel 
nontouristytourist.com 