MATERA, Italy. The city, the Sassi, the magic

Matera is one of the oldest cities in the world. By day the sunlight enhances its white. At night, it looks like an immense nativity set up under the starry sky.
Its quarter I Sassi, ancient dwellings dug into the tufo, where the roofs serve as a base for the houses that have developed on higher levels. These were dug entirely into the rock and represent one of the most striking examples of exploitation of natural resources to obtain suitable conditions for the life of a large community. In the caves often lived more families and despite the lack of space, almost all daily activities took place in the cavities of cave-houses: from handicrafts to weaving, from food storage to animal care (dogs, chicken, pigs, horses and donkeys were living with the family as primitive source of heating). The temperature was constant and guaranteed by the characteristics of the sea tufo , so the inhabitants did not suffer too much from the cold in winter and found a shelter from summer heat. This way of life for years has been seen as a sign of backwardness and incivility. The inhabitants of the Sassi were often considered as primitives living like animals. In 1952 Sassi was considered “the Italian national shame”and abandoned in the late ’50s, Sassi was able to be redeemed until they became Unesco World Heritage in and will be the 2019 European Capital of Culture. Its amazing scenario has been used s a set for Mel Gibson “The Passion” Pier Paolo Pasolini “The Gospel According to Matthew “King David”, Christ The Lord: Out of Egypt “, and the remake of “Ben-Hur “.

I took the Gran Tour of Sassi,
an intense 3 hours guided tour and I learn so much about the history of this amazing city. The tour begins in front of the Cathedral, in the upper part of the City, and then goes deeper into the tangle of narrow alleys, caves, cellars, churches, small gardens, tiny squares and districts. I was able to discover in detail these unusual dwellings partly carved out of the limestone. It s a long walk, so wear comfy shoes.

Matera is also well now for its cooking tradition, a classic example of Italian peasant cuisine, using free ingredients combined with a fair amount of labor and know-how to  turn an odd edible food into a delectable dish.
Here my choices:
 ll Terrazzino  
View, ambience, real food, rich menu, moderate prices and …did I mentioned the view? Welcome to Il Terrazzino, one of the oldest deck restaurant in Sassi Eustachio Persia welcomed me with a dish of local cold cuts, including my fav lampascioni, bulbs of a common wildflower in southern Italy, then I ordered lamb, and…surprise! iIt came wrapped in yellow strawpaper.
This place used to be a cantina, told me Eustachio, just wine, no food.So people used to cook it at home and take it here, all wrapped up in paper tto keep it warm, then tear the bag and eat it paired with a nice glass of wine.Then came the crapiata a soup of different legumes, cereals and potatoes typical of the Basilicata cuisine of rural tradition, prepared in great quantity every year on the first day of August in the district La Martella, close to the cultivated fields and served to the inhabitants. Eustachio took me downstairs, to the 17 century cellar, which incorporates the typical architecture of the Sassi and was refurbished to retrace moments of daily life of the peasant life,

Baccus
Simple yet elegant restaurant Located in the Sassi area, Baccus is well know for its Chef Carlo Pozzuoli who likes to reinterpretate typical local dishes and flavors of the past  in a modern way.

Starting with super crunchy chips of red peppers, followed by fagots of ziti with cream of yellow and red peppers, bundled in a slice of sweet scamorza cheese topped by goat ricotta curlS.

A soupy Dish with tagliolini pasta with black and white chickpeas, considered ideal fro pregnant women, since it contains a lot of iron.
The menu dedicates an attentive search of local herbs, like the cicoriella, the sivone and other fresh leaves variously used in cooking: in salads, minestrone, simply boiled with oil and lemon, or as a filling of ravioli and pansotti or excellent omelettes.

Carlo and his wife Mariella were wonderful hosts. Not only keeping me company at the table but also surprising me with a taste of a sweet heart shaped Sporcamuso, (begrime the face) a dessert so full of cream that I inevitably ended up with hot pastry cream all over my face.


Da Mario
‘We represent the tradition. My family managed this restaurant since the 50’s’ told me Anna, owner of the popular Ristorante Pizzeria Da MarioSince then we are always been loved by the people from Matera and from all over the world. Many celebrities have eaten here: Richard Gere, Mel Gibson just to mention few’                                         

I went there for lunch and followed Anna’s suggestions, starting with a tasty orecchiette alle rape with anchovies and toasted breadcrumbs, then I tried home made strascinati pasta with cardoncelli mushrooms and garnished with the typical crunchy peperone crusco, fried red pepper. Da Mario is know for its pizza. I tried a baby Margherita, perfectly cooked. ‘I love my town, peaceful and quiet, I run the restaurant a cosy BnB called Sassi Belvedere although sometimes I need some noise… some that’s why I have a place in Milan, where I go , like an escape little vacation, but then I am happy to be back in my Lucania ( the ancient name of Basilicata) Sorry I still call it Lucania.. perhaps it’s because I like the old things…
I don’t blame her..
Where I stayed.
Residence San Gennaro, located in the inner courtyard of the old “neighborhood”, once the fulcrum of the days of the inhabitants
Super friendly host Francesco delighted me with anecdotes about the city, gave me tips took me to the prehistoric hypogeous cave below the residence, embellished with a precious Nativity and prepared a great breakfast that included fresh local products. I stayed in Guerricchio suite, that has a kitchenette, a delightful double bedroom, a private bathroom and a cute little balcony to enjoy the view on the enchanting Sassi of Matera. It is At the entrance an artistic work of great value welcomed me. “Girasoli di Guerricchio”, a Lucanian artist to whom the suite is dedicated.

I also loved

Casa Noha
An amazing gateway” to the city, charting its history thanks to an innovative communication project, where the walls, the ceilings and the floors will take to an extraordinary journey through the history of Matera from its origins to the present day.
MUSMA
(Museum of Contemporary Sculpture Matera)
This unique museum provides the perfect environment for the symbiosis of sculpture and the characteristic carved sites in the Sassi; the exhibition galleries, in fact, consist not only of the rooms of the Palazzo, but also the vast hypogea, where the works of art are revitalized by the strength and beauty of the surrounding rock hewn spaces

 

Discovering ALIANO, Basilicata.


My dear friend Stanislao De Marsanich, President of Parchi Letterari Italiani (Italian Literary Parks) invited me to a unprecedent destination in the Basilicata Region: Aliano. Why did I said unprecedent?
Aliano is probably the less populated village in the Southern Italy I have ever visited. 600 inhabitants, mostly older men and older women still wearing the traditional black long dress , with their hair wrapped in a black scarf, two small bars, few stores , that close in the afternoon for a long siesta, the amazing nature around , populated by calanch wich are deforested, sandy soiled, rocky hills, a church, two restaurants (Locanda con gli occhi and Sisina Contadina). Aliano is a little village n the province of Matera, located in one of the most unusual, scenic, magical and spiritual places of Basilicata. The surrounding clay landscape is characterised by naturally eroded gullies and ravines, typical of this part of the region. This is the rough, moon-like landscape of Calanch.
I walked along those ridges of breathtaking cliffs, In the silence of the badlands and I hear nothing but the sound of my own footsteps.Loliness, abandon, misery, poverty and the lunar scenario were crucial source of literary inspiration for Christ Stopped at Eboli”, Carlo Levi’s 1944 memoir about his long exile in the area. Carlo Levi was born in 1902 in Turin, Piedmont, to wealthy parents. His father was Jewish and a doctor and his mother was the sister of Claudio Treves who was an important socialist leader in Italy. After attending to the University, young Carlo pursued is passion: painting. In 1929, Levi co-founded an anti-fascist organisation called Giustizia e Libertà for which he was arrested in 1935 and exiled to Aliano, a timeless place where ancestral customs reign: witchcraft, love potions, charlatanerie, He lived the for nearly a year, painting, working as a doctor and observing the daily hardship of the villagers that he would later narrate about in his book, ‘Christ Stopped at Eboli On those days, the malaria was decimating the population, already living in dire poverty and Levi tells what he lives, what he sees, the life of its inhabitants, their customs, painting a region abandoned to his sad fate and writing beautiful pages about their hunger, heir fear ad their beliefs. When Carlo Levi arrived in Gagliano , supposed to stay there for three years under house arrest, he said he had “the impression of having fallen from the sky like a stone in a pond”. The book tells the story of suffering and injustices, where the peasants have more confidence in their tribe, and in their family, and have very little respect for institutions that do not bring them any security or well-being. The toddlers mortality was enormous, nearly 50% died simply because their parents could not afford medical assistance.Dispate all the negative things, Levi fell in love with Aliano where he asked to be buried. In Aliano.The Literary Park s dedicated to him as well as a museum that offers personal letters, documents and drawings related to the period during which Levi lived in Aliano. I Walked around the city center, where venues and places his book relive in plates reporting extracts from. In the silence of the badlands, I hear nothing but the sound of my own footsteps.

 

 

Let me tell about Aliano’s houses…

 

They have facades somehow mysterious , sinister or curious, they look magical with some sort of exoteric message.The most famous is La casa con gli occhi (the House with the Eyes) which the small windows create a gloomy wing, beyond which the gash due to the roof’s falling down allowed the pale sun to enter.Aliano has its own dialect, “Alianese”, and the population keep many old traditions. One particular example is that, during Carnevale (a catholic festival that takes place a few weeks before Easter) village men, dressed in paper mache masks, hats covered with streamers, wearing long underwear and cow bells, march down the town’s main street, throwing flour at gathered crowds and making grunting noiss.Very interesting the Museum housed in the old oil mill under Carlo’s confiscation house, with the original millstones still present, and all the home furnishings, work tools and much more. Aliano recently opened a Museum dedicated to American artist Paul Russotto whose parents were originally from Aliano. He is known for his paintings and drawings that examine the subject of time and the vacillations between the abstract and the figurative. His subtle over painting creates dense textures which often seem to be clearly aware of the historical range of abstraction and the way it brushed up against figurations, from the cave paintings through contemporary figures. I stayed at La Casa De’’Americano a cozy two bedroom family managed bed & breakfast, and had my meals at their restaurant called La Locanda con gli Occhi. Dishes are simple and respect the alianese cooking tradition, from yasty cold cuts to hearty fresh vegetable soups, to lamb,

 

to ferrizzuoli pasta with fried breadcrumbs topped with the typical peperone crusco,
the local sweet red pepper, served dried
and crunchy.

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