‘GREEN BOOK’ I SO WISH THE ‘GREEN’ WOULD GO ‘GOLD’, THE COLOR OF THE OSCAR!

My reaction at the end of Green Book’s screening was: ‘Best road movie after driving Miss Daisy..,classically made, impeccably performed and written’.The story follows the highly famous and incredibly successful pianist, Don Shirley (Mahershala Ali), who takes great risks as an African American man touring through the highly racial deep south. Tony Lip (a spectacular Viggo Mortensen) a bouncer from an Italian-American neighborhood in the Bronx,  who is hired to drive the musician   on a concert tour from Manhattan to the Deep South. They must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans.  As the tour progresses, the audience goes through many parts of the south where not only racism was prevalent against African Americans and Italians, but also acknowledge the severe homophobia that existed so terribly in the 1960s. A real story that shows the journey of Tony and Don. Confronted with racism, danger-as well as unexpected humanity and humor-they are forced to set aside differences to survive and thrive on the journey of a lifetime. One white and one black met at the apartheid society. At the beginning, they didn’t understand each other and came up a lot of conflict. After a period of time, they started to help each other and Tony always stood up for Don .They turned to be friend or even more than that. I loved the direction, the cinematography , the music, the editing and the excellent performances,.
I truly wish the ‘green of that book’ would change color into ‘gold’, the color of the Oscar.(traduzione)
La mia reazione alla fine della proiezione di Green Book è stata: “Miglior film on the road dopo Driving Miss Daisy. Una pellicola classicamente realizzata, eseguita e scritta in modo impeccabile”.
La storia segue il famoso pianista afroamericano Don Shirley (Mahershala Ali), che si azzarda a voler fare una tournee  nel profondo Sud degli Stati Uniti. Tony Lip (uno spettacolare Viggo Mortensen) buttafuori di un quartiere italo-americano del Bronx, viene ingaggiato per guidare il musicista  Devono fare affidamento su “The Green Book” per essere guidati verso le poche strutture che venivano segnalate come sicure per gli afro-americani. Il tour inizia e attraversa molte luoghi impregnati di razzismo contro gli afroamericani e severamente omofobi. Di fronte al razzismo, al pericolo, oltre che all’umanità e all’umore inaspettati, sono costretti a mettere da parte le loro differenze per sopravvivere e continuare nel viaggio. Un bianco e un nero che si incontrarono nella società dell’apartheid e che superano conflitti, trasformandosi in amici e anche più.
Ho amato la regia, la cinematografia, la musica, il montaggio e le eccellenti performance.
Mi auguro davvero che il “verde” del libro cambi colore in “oro”, il colore dell’Oscar.

Teatro Carcano, Milan. The World Premiere of QUEEN LEA-R

Last night at Teatro Carcano, Milan the World Premiere of QUEEN LEA-R,
‘en travesti’ musical play freely adapted from by Shakespeare ‘s King Lear
Open scenario, a doll store with a vintage feeling , on stage the Nina’s Drag Queens Company, in a quite intense musical play conceived by Francesco Micheli, renewed and re-written by the British playwright Claire Dowie and the Italian composer Enrico Melozzi.
The plot is about Lea Rossi moved from Italy to Uk in the 70’s and opened a little doll shop, whose sign reads: Lea R.
The elderly lady is now facing the end of her business and of her life. Struggling with her physical decay, she is unable to give way to new generations, and to separate herself from her things, in spite of the efforts of her three daughters and of the loyal friend Mrs. Kent.The Shakespearean themes are now associated to a contemporary, stark atmosphere, where castles become studio apartments, the moors are hospices, and the madness is senile dementia. In this harsh world the old “queen” has no place to go but a hospice and here her epic visions – knights, wars, and medieval kingdoms – come to life.
Queen LeaR deals with some uncomfortable themes of our time, such as old age, illness and death, on the background of a generation with a hard legacy on his back, a generation of children who may never be fathers. Drag queens act, sing, dance, make people laugh and cry, live and stir strong emotions: for this reason a drag queen is the perfect key to translate Shakespeare in a present-day form, innovating it through a contemporary, eclectic and excessive mask. Queen LeaR is also built on the idea of mixing together different kinds of show. The ambition is to put on stage a form of entertainment at the same time popular and high, which takes its strength from the use of pastiche and the break of genres boundaries.
I loved (and the public too) the crazy and unxpected inserts of contemporary hits  from the Italian Franco Battiato’s The Cure to the classic I will survive just to mention few. All songs ‘live’ revealing some pretty good voices. This format is not so new… the iconic Quartetto Cetra, back in the 60’s  or the ilarious Trio used that gig in the past.  The drag queens’ performances as contemporary opera: a theater with a great visual impact and accurate musical drama dealing with capital issues sometime  sacrificing the enjoyment of the show.
Dowie’s libretto has accustomed the audience ( literally populated by Nina’ friends drug queens,) to her ironic and daring plays, where a social urgency coexists with an amazing lightness. Irreverent, poetic, brilliant, Claire Dowie is a rare and original voice on the European scene and her plays have been translated into many languages and seen around the world. Alessio Calciolari, Gianluca Di Lauro, Sax Nicosia, Lorenzo Piccolo, Ulisse Romanò studied in the main Italian Theatre Academy and performed in many productions in Italy and abroad, ranging from theater to opera, dance and cinema.

Queen LeaR will reign on stage till Jan 20
Here INFO AND TICKETS
https://www.teatrocarcano.com/

 

 

 

Spell it right! Two ‘C’ and two ‘T’. Here ‘s the BOCCONOTTO , a delicacy from Abruzzo.

The History of Bocconotti –
Tradition places the origin of the Bocconotto of Castel Frentano towards the end of 1700, during the period of greatest diffusion of chocolate in Europe, the main ingredient of the filling. A sweet idea, always based on what has been handed down, from the creativity of a cook who invented for her noble master, famous for being very greedy, a little sweet to eat in “a single bite”. Today the Bocconotto is one of the symbols of Abruzzese gastronomy: a casket of delicate shortcrust that contains a filling of chocolate, minced     almonds and a pinch of cinnamon. The Bucci family owns and maintains the correct doses of one of the first recipes handed down. At the right balance between the ingredients, it combines passion for the traditions of Abruzzo and Castel Frentano.
The history of the Bucci family – Like all success stories, even the Bucci family and Bottega del Bocconotto’s story begins almost by chance. Since the 1960s the Bucci family has been engaged in a florid and productive artisan activity, with a wide range of customers not only in the province of Chieti and in the region, but throughout Italy.
Their main office was in Castel Frentano – where the Bottega stands today – and, as soon as summer began Claudia Bucci, the current owner, used to spend time in her grandfather’s sales point. So, sitting on the entrance steps of the store, she realized that many people stopped to ask for information with a single question: “Where can we buy the Bocconotti, the typical sweets of Castel Frentano and Abruzzo?”.
Bocconotto’s tradition is a long tradition, linked in the territory to important events such as weddings, baptisms, confirmations and communions … in practice you can not talk about feast without having on the tables the delicious sweets from the heart of chocolate and almonds. So, after giving directions on where to buy the Bocconotti to many people, in his mind he took a very happy idea: to put the same Bucci family to work with the opening of a workshop and a shop for the sale of Abruzzo dessert ! Sure of his intuition decided in a very short time to kick off the activity, strong also of another element: he was the custodian of one of the oldest recipes ever handed down by Bocconotto, thanks to his grandmother Sabbiuccia, known for his reputation as a skilled custard. It was she who prepared the Bocconotti for all of Castel Frentano and for every party: why not make such a delight to taste even those coming from neighboring villages? It was 2008 … and from there, after a period of settling, the success came, thanks to an increasingly large audience of customers and consumers who were able to recognize in the Bottega del Bocconotto of the Bucci family a quality guarantee closely linked to the tradition of Castel Frentano.Today the Bottega del Bocconotto is a flagship of all Abruzzo, a family-run business supported by valuable employees, operating in all stages of processing, from the preparation of individual ingredients up to packaging and sale.