Beauty has no mercy, are we all Dorian Gray?

Lights and stage special effects, accuracy of the image, a catching opera-rock soundtrack, excellent performances, Federico Marignetti superstar able to carry a non-stop tour de force, perhaps some lack of  narration of the original history. 
La bellezza non ha pietà (Beauty has no mercy), tells the anguish of a perfectly contemporary icon. The long monologue-like written by Daniele Martini focuses on the the obsession for beauty and for its maintenance. Martini starts from the consideration that we are surrounded by thousands of Dorian Gray: the portrait has been replaced by the selfie stick, able to capture an evergreen image. The narration begins when Dorian has already turned thirty-eight and is now a mature man. Although his appearance is unchanged over time, his soul, trapped in the painting that he has hidden for years, bears monstrous and unmistakable signs of unmentionable events. Each of these signs has a story, an emotion that Dorian relieves as it reflects on the experience, starting with the encounter with one’s own beauty. Daniele Martini music follows the emotions of Dorian, and makes the show interesting and animated.The piece, strongly promoted by fashion icon Pierre Cardin, who designed wardrobe for Dorian and his soul (role performed alternatively by Marco Vesprini, and Thibault Servière Emanuele Gabba direction and stage design shines thanks to 3D projection and a huge wooden cube which turning easily follows Dorian’s agony,wickedness and cruelty. A prestigious theatrical tour will take Dorian to Florence, Venice, Bari and other Italian cities


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