The set is simple: a banch, a red balloon, an elderly homeless woman who talks in grammelot alternating French, Italian, Milanese, English
Her stories are real or false…It doesn’t matter. I loved the rewinding of the tape of past events by mixing truth and fiction, the life of the living and the dead, until the present.
The still elegant Bag Lady brings out moments life, carrier, travels, lovers, not to mention a very persona interpretation of the every single sign of the horoscope according to his penis…The 70 minutes monologue of Je Me fut is brilliantly performed by Rosalina Neri, notorious back in the 50′ and 60’as the Italian bombshell Marylln Monroe lookalike.
Neri, a former renowned opera soprano , sings and tells stories through vivid song such as Hymme à l’amour, Autumn Leaves, Ma Mi (a traditional milanese song, probably her best performance) among any others, with the help of the talented Nicola Nastos at the keyboard.
I found a little static the direction, signed by Cristina Pezzoli who co-wrote the piece, and did’t frame the emotional temper of the Diva. Lights and coreography (or any moves that the still flamoyant Diva could have done) are none.Applauses and emotions, starting from a tender Rosalina’s tier..
At Teatro Franco Parenti till June 26